"And did she ask you also particularly to see him here in town?" Mrs. Brigstock's hideous bonnet seemed to argue for the unsophisticated truth; and it was on Fleda's lips to reply that such had indeed been Mrs. Gereth's request. But she checked herself, and before she could say anything else Owen had addressed their companion. Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light.!

"Anything you don't know I dare say I can tell you!" Owen observed as he impatiently smoothed his hat with the cuff of his coat. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.

"It's stronger than yours." "Why, she's lovely!" Fleda exclaimed. Mrs. Gereth had said she would go with the rest to church, but suddenly it seemed to her that she should not be able to wait even till church-time for relief: breakfast, at Waterbath, was a punctual meal, and she had still nearly an hour on her hands. Knowing the church to be near, she prepared in her room for the little rural walk, and on her way down again, passing through corridors and observing imbecilities of decoration, the æsthetic misery of the big commodious house, she felt a return of the tide of last night's irritation, a renewal of everything she could secretly suffer from ugliness and stupidity. Why did she consent to such contacts, why did she so rashly expose herself? She had had, heaven knew, her reasons, but the whole experience was to be sharper than she had feared. To get away from it and out into the air, into the presence of sky and trees, flowers and birds, was a necessity of every nerve. The flowers at Waterbath would probably go wrong in color and the nightingales sing out of tune; but she remembered to have heard the place described as possessing those advantages that are usually spoken of as natural. There were advantages enough it clearly didn't possess. It was hard for her to believe that a woman could look presentable who had been kept awake for hours by the wall-paper in her room; yet none the less, as in her fresh widow's weeds she rustled across the hall, she was sustained by the consciousness, which always added to the unction of her social Sundays, that she was, as usual, the only person in the house incapable of wearing in her preparation the horrible stamp of the same exceptional smartness that would be conspicuous in a grocer's wife. She would rather have perished than have looked endimanchée.